Category Archives: Montana

issues dealing with being in Montana

Lack of Intimacy In A Creative World

Sorry no blog yesterday, every time I sat down to do it I would get distracted by something else. It was one of those extraordinary fall days outside that was sunny and unusually warm for this time of the year. I had my nephew Brenden come over and help me clean the property and prep it for the winter. I somehow thought I would be able to put him to work and I would get to write and work on my computer. But he is not very experienced and I began to realize the work of pruning and cleaning the beds was only specific to me. It was so beautiful out that I just decided to stay and get everything caught up. Then we had Glenn’s mother for dinner in the afternoon, because I had a wedding consult at 5:00, to shoot a wedding next month, and had to attend the dress rehearsal for a University production at 7:00, for a shoot on Wednesday night. When I got home it seems a bit late to blog so I settled in with Glenn. This seems to be the extent of all of my days.

The production I saw the rehearsal for was called Grace And The Art Of Climbing and seemed to focus on a woman dealing with intimacy issues. It really got me thinking about my own life and I began to question if perhaps I too have intimacy issues of my own. I began to think about relationships in my past and how perhaps I have pushed so many people away. When I began to ask Glenn about his perceptions of me and how I function within our relationship? He genuinely said he was happy and realized I had lots to accomplish. Most of the time I feel so focused that I know I am not really present to him and our relationship, and often times it feels like I notice him in the distance watching me. From my past experiences it seems the points of my life where I have been highly creative are the points where the relationship begins to falter. I cannot equally focus my attention in both directions at the same time. That’s why in the fall when Glenn goes off for two months to work somewhere else I try to focus on huge creative projects and seem to get the most productive work accomplished. I think artists in general are people who suffer from relationships more then anyone else because we have to disconnect and rechannel our passion toward what we create. Life in art is not easy and I think this is why many artists are single and probably drink and or use drugs. When we are creative our intimacy is our art. I am lucky, Glenn recognizes this and allows me that creative flexibility with little demand in return, in fact supports, it by taking care of the everyday things that distract me from the creative process.

I am reminded of an incident when I first met Glenn and I was asked to work as an associate director for a large film festival we used to have here in Missoula. I was responsible for logistically pulling the entire festival together. I worked with a woman named Cinda Holt who had help Robert Redford organize the Sundance festival in it’s early stages and we created a similar festival here in Missoula for and with artisans behind the camera: art directors, cinematographer, writers, directors. We screened films for a week and brought in all the filmmakers including Kenneth Turan from the LA Times to facilitate the event. For this project I had to book the films, that spaces, contact all the people and logistically get them to and from Montana, arrange accommodations and coordinate the mass army of volunteers to make the project happen. For several weeks it was all consuming for 24/7 to pull the project off. The project was a huge success, but it about destroyed my relationship with Glenn at the time. He was so angry that he refused to attend any of the events I had just spent every ounce of my being orchestrating. This hurt me so deeply that my own partner would not stand beside me at a moment of my greatest achievement. I now recognize it was a defining moment in the relationship where I disconnected, perhaps we both disconnected. Our relationship has since grown. Now Glenn is my creative partner in all my wacky self-absorbed endeavors. My projects and creative life has since grown and some how we have all adapted. My days do not get any easier and my need or sense of accomplishment never seems to cease. I don’t promise it will get any easier, because I know that would be a lie all I can recommend it that you “fasten your seat belts because you are in for a bumpy ride” as Bette Davis says in All About Eve.

Looking back to the Beginning

The coldness is beginning to set in, which indicates that I am coming full circle on the project. It began in the dead of winter and now, as I begin to feel winter come upon me, I realize this project has followed me through a complete cycle of my life. Yesterday I hit three hundred posts through the process of a year. I am beginning to look back through all I have written and created over those three hundred days, for some of the most interesting points to start to somehow work them into the new website. Although I was not sure where I was going in the beginning with this project, I knew I really wanted to go there. Now the goal seems clear and vividly laid out before me. I have never had such clarity in my life. The year began with so much doubt and a real fear of becoming lost or fading into oblivion – the fear of a man dying without ever having accomplished his greatest dream. This project has become the journal of that dream. The daily struggle and exploration in finding myself and the discovery of light, beauty, desire and art. What seemed a daunting task in the beginning now seems to have become a way of existence. I honestly didn’t think I would make it this far. I kind of expected I would end the year in disappointment, having realized what a failure my life had become, and would somehow have to jump off the Madison Street bridge into the cold icy waters in the middle of a cold winter night. But the opposite has now happened. Through the course of this year I have mended all the old wounds and have examined my life in such detail – some of it interesting, some not. I have come to the conclusion that what I have lived and experienced is relatable to so many others I have encountered along the way. I have confronted and made sense of all the nonsense of life amongst the shadows. The new website is really a gift to others who have helped me along this journey. It becomes not just a look at myself, but an examination for others who also live creative lives of desperation. To live in our time and our culture and become a creative soul seems daunting if not near impossible. It seems the world is stacked against us. I am an older man and do not seek fame or glory at this stage in my life, but look for relevance and meaning that has allowed me to live such a daunting existence. Today I feel I’ve crossed into a new arena of my life – one that is filled with possibility and hope and yes, desire. I guess it could be “It’s A Wonderful Life” syndrome – being able to see beyond oneself and find what is truly remarkable about one’s seemingly meager existence. Does everyone look back and say this is the sum of what I have become? I know the struggle is the same for all of us. I guess this is why I am so drawn to art, literature, movies and photography. I see that my seemingly rough life of living on the outside has been extraordinary and filled with a rich wonder. Today I feel lucky.

One Common Place

We have set a target to release the new website for a week from today and we are all working to get things ready to unveil. An excitement is growing within me like I have never quite felt before. The culmination of all our creative efforts is finally coming together in one common place. We have defined and redefined and tested what the process is and have learned from lots of mistakes. And I no longer function as an individual but more as a team. It’s very odd to be able to step outside of myself and begin to look at the creation of a body of work. I know for major artists they always do those sorts of 10-year retrospectives; well this will become the same. This has become of the greatest endeavors of self-examination ever. The Naked Man Project will finally find that exposure I was looking for late in the summer on the European trip. I see that trip as the catalyst that has brought this all to existence. I have recently been reading a book about building findable websites and what makes them successful and see that I have all of the essentials already in place. I now see it has been in place for a long time through the blog, it just needed to be orchestrated to make it more accessible and functional. The key components, I am learning to successful web sites are: staying on topic, filling a niche, is authoritative and certainly passionate, is trustworthy, entertaining and must be appealing to its audience interests. Yet it must be original and maintain the voice of the audience. I think I can safely say that I have met the entire criterion through the blog throughout the year, as so many people have been reading and becoming a part of my world and this project. Now I am totally jacked. I fill like I have finally found my place where I can communicate from my remote little place in the mountains of Western Montana.

Elements Of Design

It’s so beautiful out already this morning; the leaves on my giant willow trees in the back yard are beginning to yellow and slowly falling creating a carpet of yellow along the ditch banks. I see the skies begin to clear with some patches of blue. If the sun comes out it’s going to create a brilliant glow that will radiate through out the house. This would be a perfect morning for some beautiful photographs, but I have no one lined up. Thor and I a have been putting so much time into the website that I we have neglected shooting anything new in the past couple of weeks. I am writing early today, even before coffee, because I want to get out and work on the yard today. I have the new deer fence about half way done on the other side of the house, so today’s goal is to get out and finish the fence and start thinking about how to design a gate. For those of you who know me, you know I don’t do anything simple and every element of my life is personally designed.

For those who have been to the studio you know exactly what I mean. The whole house is completely off center, with so many angles and pitches and textures. Everything is about function and has been created for a specific purpose. The pitch in the main room, where I shoot, was set up so that I would have beautiful natural light that would face to the north at a specific angle exposing the sky without ever allowing direct light into the actual room. With the vaulted ceilings, needing the height for lighting equipment to be raised on stands and booms, the whole pitch of the room had to be offset to thirds. See the rule of thirds I use for photography even plays into my design of the house. Because the pitch of the room is offset to the lesser third on the northern side, it creates that effect with the northern skylights. As I was designing the space, I hired a draftsman who could do the drawings of what I envisioned in my head. I defied his rules of logic and he kept moving the lines back to center. Then we hired a structural engineer who told us how to make it happen. The house is very unique and totally matches my personality. It has the balance and flow of a beautiful painting. I design from my heart and often defy what is logical, it becomes more about an expression of emotion and feelings the space evokes. My yard is becoming the same way. The fence is designed for the practical purpose of keeping the deer out, but allowing the small critters that inhabit the yard like my kitties a freedom and flexibility to move through it, and since one of them is deaf, a quick escape from dogs that come upon her unaware. The yard is small so it needs to have a feeling of being open and not restricted. The fence is becoming like these beautiful little trellises that I will also be able to plant and grow climbing flowering vines. And the rough-cut cedar gives it a weight and texture. This year was about creating a rough outline of the garden, next year will be about sculpting it. So since I have no models lined up for this beautiful Sunday morning I am heading out the garden to enjoy another fall day.

Drawn Into the Darkness

In younger days I was drawn into darkness and often found myself lurking in shadows that were unsavory to others and probably not always safe for myself. Being a boy from Montana we do not always perceive dangers that others may be aware of within their surroundings, making us fearless. Being a stranger we may not always be aware of what the rules are and what is normal. Everything in Montana seems safe, unless you have a run away tractor barreling toward you because the diver has passed out at the wheel. I have spent a great deal of time in large cities and have only felt a threat a couple of times in my life. I spent a year in Washington DC working as a bartender for a club in the Dupont Circle area, had a roommate who was a porn actor, we did a lot of drugs and become party animals, some times to the point where I was not even sure how I even got home. In fact waking up one morning, my ankles sore and swollen to discover I had somehow ended up with a pair of pumps at the foot of my bed, I must have traded shoes, the previous night either with a drag queen or a woman with very large feet. I had always heard Washington was a somewhat dangerous town and had known people that were bashed, some of them quite severely, which in those days was quite often. As a bartender with a porno housemate, we become a privileged sort of celebrities who were recognized and often given a certain amount of advantage, in the form of little packets of treats slipped into our pockets. We were creatures of the nights, going to bed as the sun rose, sleeping all day. But I never felt a threat when I was out, even when I got stupid silly messed up. I had a good group of friends and we all kind of watched each other’s backs.

Yet I was always drawn to the darkness. There is beauty at night that becomes extraordinary; that most people do not always see. In photography it becomes very vibrant when it rains or is wet. That’s why you often see wet streets in movies shot at night, yes, even in Los Angels when it doesn’t rain, or not very often, because it makes the details in the lights pop. That beauty seems to become more pronounced in bad neighborhoods with a lot of structurally interesting textures, like alleys and areas of old abandon warehouses at night, like the meat-packing district in NYC. I am always a person who is keenly aware of my surroundings; I think this is another Montana thing that we develop a fascination with everything around us. So at night these areas awaken a feeling that I always love to explore. It becomes about who I am in the space or even possibly channeling past lives, who knows. But in cities these are typically the areas one always tries to avoid, yet these are the areas I like to linger. I tend to think I have a strong masculine presence that most people don’t really want to mess around with. I am very confrontational when I meet others and think I have a focus that sends a clear signal that I can hold my own if you come up against me. My observation skill keep me aware of what is happening around me so I don’t become an open target and can divert things before they can happen. But it is these areas that most excite and attract me.

In looking at my catalog for the website I see this feeling of lurking in darkness present in most of my images. It’s what makes it theatrical and heightens our wonder and curiosity about the subjects. I love the shadows and seeing things emerging from those shadows.