Category Archives: Personal

Personal

Organizational Essentials

It feels like Montana is heading into fall already. The nights are getting very cold, though we have not had a major frost yet. This is typically my favorite time of the year, when I actually get out and begin cleaning my gardens out for the season, but this year I feel like I have become oblivious to what’s happening in my outside environment. This morning as the sun is streaming through the studio windows I realize what a shut-in I have become this fall. My focus and energy has completely shifted to The Naked Man Project, 24/7. In many ways I have become obsessive about it. The website is completely taking shape and the overall structure is set. Stephen and I are working through the massive naked catalogues I have amassed over the past 14 years since I took up photography and doing a massive sweep of housekeeping elements I should have established early, but never quite kept up on. I did it for my photography business, but never really for the nude portfolios. The catalog is so massive that we needed to begin copywriting, rating, sorting and key wording all the images so it becomes searchable and manageable. The galleries are built in the website, now we just need to import the images into those galleries. To do a web site of this nature I really cannot just turn it over to someone else and have them build it, because it is my personal connection to each of these shoots and collection of images that will make the project and site interesting. So it really needs to maintain the integrity and vision of what I conceived from the beginning. And the way the Joomla platform, on which the site will operate has already been designed, so the look and feel have already been established; now the content just needs to be inserted, most of the content, here of course, being the images. Stephen is becoming very good at recognizing what I see and am looking for in my own style, but he is still not quite up to speed, so the final selection and elimination needs to remain mine. I had no idea I had such a massive collection of images. One of the reasons I have neglected this kind of housekeeping on my collections was, I never really intended them to be used for anything. So my lesson and advice to artist is to come up with a filing system that you can grow into. Take the time after a shoot, once you have created the images to do some housekeeping on them, make it a part of your workflow, even if you never intend to use the images. Believe me it has taken me years to figure out a filing system that makes for easy access. I use the Adobe Lightroom Program because it has so much depth to the possibility and it one of the most powerful cataloging software programs available.

But most important I am going to take a couple of hours this afternoon and get out into my garden and rut around in the dirt and feel the cool earth in my hands and get back to an essential part of myself I have been missing: my connection to Montana in the fall.

At the Core of a Creative Existence

I watched an interesting movie yesterday while I was moping about, called Séraphine. It was a French movie about an average woman, leading a life of hardships, doing whatever jobs possible in 1927 France and who had a passion for painting. She thought she was given a blessing by god that pushed her to follow her gifts. She did not really understand why or where the divine inspiration actually came from, but was compelled to paint at whatever the cost. She was a middle-aged woman, older than myself, living in a place and time of poverty. Yet she found the greatest joy in nature and collected items from her environment to temper and color her paint, blood from a cow liver, mud from a creek, flowering plants by the roadside. She brought these elements into her small one room living space and spent the nights grinding these items into her paints, then created amazing images of that nature in vivid almost childlike impressions. The woman who played Séraphine Louis (Yolande Moreau) was mesmerizing at bringing such honesty and truth to the character. In the end she is discovered as an old lady. The success drove her mad, and she spends her last 10 years in an asylum, disconnected from nature and painting as her imagery becomes legendary.

I saw so many parallels between Séraphine and myself. For many years I have worked in a world of seclusion, being compelled to create something that I never quite understood. I have worked many jobs, just trying to make a living in order to survive. I know my desire is for the naked male, it is my divine inspiration. My connection to my own desires is so strong it often becomes intoxicating. Yes, I know gay men are supposed to become obsessed by sex and the flesh, but somehow it’s not the sex that I am drawn to, it the emotional feelings and what is stirred within those moments before or after sex that I am most fascinated with. It almost seems, to physically touch someone dispels the allure and the touch often leads where I have been so many times before, becoming lost or blinded by its emotional entanglement. I caress my subjects not with my hands, but with the light. I adore their beauty, idolize their skin for its soft silky textures and the way the light glistens on the nape of their neck. Sex is actually the furthest thing from my mind when I am shooting. Sure there are those moments when I become aroused by the process, and it is those moments when I know my images will gain their greatest potency, because I am truly in touch with the erotic core of my process. As Séraphine brought her connection to nature into her vision, I bring that world of sensuality and seduction I have known and longed for into my vision. I realize now it has been the core of my life. I am romantic at heart, I have always been romantic. I spend my nights grinding all the elements of my existence into the tools of my pallet. I have yet to make any money on this process and live my life on the edge of finical struggle. I have the skills, talents and tools to create something that is more viable and commercial, but then it’s really not my vision anymore and becomes something created for others. Though my style and approaches have changed, I am still true to myself and it still remains the journey into myself. I do fear the influence success could have on what I do and I think in many ways it sort of holds me in this place struggling to survive. I am the most content when I am creating. Though my focus is shifting toward self promotion, I still can step back into my world of beautiful light and find the security of those remarkable highly intimate moments with my subjects when the ordinary is allowed to become extraordinary.

The Dismemberment of the Peni (s)

I have spent this weekend in contact with John Douglas in Australia coming up with a plan or an idea to begin a new social network based on male nude or erotic art. He was the original founder of a site called Man Art, which is where I first began to show my images a year ago May and really what has lead me to here. Followers of the Blog will remember that Man Art was shut down last spring due to censorship issues on the server hosting it. Men on the Verge of  a Pornographic Extinction I am now working with a Webmaster who has his own server and the whole thing has become private so there should be no possibility of censorship. It seems the distinction between pornography and art is often blurred. But to the people creating it, the ability to express one’s self, those lines are quite clear. And sure sometimes we push those boundaries, but that’s what a true exploration of artistic expression is. If we did the same things all the time it would become boring and our work stagnate. As artist we need to constantly be challenging our selves and the way we examine our existence. And to have that social network in one common place where we can interact and feed each other is essential. For many years I worked in a hidden world. I knew what it was I wanted to do, but creating such art in a place like Montana was totally unacceptable and still taboo. But in all honest the naked male form is still taboo in most parts of the world. It’s funny that a man taking his cloths off in a football stadium faces sieve legal action while everywhere I wandered in Paris I saw open displays of statuary of full frontal exposed male nudity in most every public park. Unfortunately the private parts have been chiseled off some of the most remarkable pieces by various religions through out history that found that item of the male anatomy unacceptable. But gazing at the remarkable beauty of those statues where those bits still remained in tact it really doesn’t become the focus of the art. It actually has the opposite effect, because we are more drawn to what was removed. After centuries of growth and enlightenment we live in a world where people are still trying to dismember the penis. For god’s sake it’s a part of who we are, half of the world has a penis. I digress.

The one thing that is missing from the Internet is this social network of artist who can share their common idealism, unafraid. I still see people being censored on Facebook and my own account deactivate earlier this year. I dream, I dream of a place where all men are created equal, a place where we can express and explore our true identities, idealism and feelings without fear of being emasculated.

Illegal Exposure on the Field

Another game day in Montana, today we play Eastern Washington and it should be one of the best games of the season. Last week there was a young man who jumped down to the field in the 2nd quarter in just his shorts, ran out into the middle of south end of the field, dropped his shorts and began to run around naked. Of course it brought the game to a halt as the 35,000 fans watched this man run around nude. We have had streakier before and typically security is all over them and has them off the field before you even realize what’s happening. But for some reason security just let him go, it was like they couldn’t enter the field and had to wait for him to come off. I think this naked man was as surprised as the crowd and he grabbed a megaphone and began to dance around the field taunting his now captive audience. After some time he did go off the field, was cuffed and then paraded completely around the field, still naked, to be escorted to the team locker rooms.

Later in the week, when the whole incident began to die down I contacted this kid on Facebook and began a conversation with him to see if he would be interested in coming to the studio for a session and become a feature on the one of my posts: “Daniel. My name is Terry and I do a daily blog here in Missoula called The Naked Man Project. It’s not really known in Montana but has more of an international following, I would love to photograph and feature you in my blog. You can find links on my Facebook if you are interested. You will get free images from the shoot. I have to say you were hysterical at the football game on Saturday. Very nicely done.” His first response was: “ewwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwww wwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwww wwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwww wwwwwwwww” but then he come back with “what is the basis of this website?”

This kind of set me back a bit as I really had to think about, what actually am I doing here and what is this process about and how do I convey this to a stranger I am asking to possibly photograph naked who knows nothing about what I am doing. So I explained “I am a lighting designer who spent years working in professional theater. I am most interested in creating images of the male and masculine figure as an art form. I don’t just photograph men, but also women, men are just more secure about allowing me to show them, where as women are quite reluctant. The concept behind it is to deconstruct classic art; painters like Caravaggio, and recreate them for the modern man, in a modern era. The Naked Man Project has been a year of searching for my place amongst other artist that work in this style. I just returned from a trip to Paris and Berlin where I met with gallery owners and publishers who are interested in showing or creating some sort of publication. The journal is my life as a creative artist and gay man growing up in a remote beautiful place like Montana.” Somehow I was suddenly embarrassed to have to explain the vision of my concept to this stranger outside my realm of existence and knew I was crossing into an unknown new territory. After all we are still in Montana here, where such things are either dismissed or ignored. But here was a man who had the courage of his convictions to stand before a crowd of strangers and expose himself for all to see. Something I have spent a year building up to do for myself. I had a great adoration and some sort of kinship and somehow just wanted to meet him.

His response back was quite interesting as the reality of both our worlds came to light: “I’m not comfortable being photographed by a man who may find me sexual attractive if you see what you do as art and beautiful more power to you cause I will agree the human form is a thing of beauty as it was crafted by the most prominent artist to ever create. to each his own but I’m gonna have to pass unless I am photographed with a woman or women as that is how I will be comfortable to be photographed and also I cannot take time for a venture for the sake of art right now as I am facing serious consequences for my actions including expulsion which would mean I now have $50,000 to pay off in student loans on top of thousands of dollars in fines so unless you can pay me and get female models to be photographed with me I cannot model for you sorry.” He had not thought about the consequences of his actions and what the price might be. This really made me begin to ponder the price I have paid as I began to question the consequences of my own actions in creating beautiful images of naked men.

I felt a bit stung by his response, because in my minds eye, the project has grown to become something extraordinary that defies some of the stereotypes of male nudity, and here I was being defied because I was gay, by someone else’s insecurity. Many of my subjects actually are straight and I have never really had issues in dealing with it in the past. Many are honored and grateful when they enter my studio. An unmistakable feeling I had just crossed a line I shouldn’t gripped me and I was reminded once more of where I am and where this project began and why it remained hidden for so many years. Suddenly I saw the ironic humor of it all and began to laugh.