Category Archives: Personal

Personal

A Boisterous Clap Of Thunder

I was up until the wee hours of the morning again thinking about an incident that become a catalyst in my life some time back. It was one of those moments where you know your life will be changed and a new vision of yourself becomes clear.

I was working as a stage manager in a small theater in Spokane, Washington. I had signed on for the season that lasted about a year. Bob and Joan Welch owned and operated this little mom and pop kind of theater called Interplayers that always produced astonishing works. I had seen many productions because my friend Michael Weaver worked at it for years and I was always intrigued to see what he was involved in. He introduced me to Joan and somehow we instantly bonded and became infatuated and know we were destined to collaborate on something. The supposed story behind Bob and Joan running this remarkable theater in such a remote place was even more intriguing. They had been a part of the legendary inner circle of Actor’s Theater in New York, but were blacklisted in the McCarthy Era and fled west to begin life anew, yet still follow their passion, theater. Though I was currently a member of Actors Equity Stage Union, the only way I could work with them at the time, which I was very determined to do, was to change my name to work under a non-union contact. But I know I wanted to work with these extraordinary people. And it was so worth the experience, because they brought theater to a level I only ever imaged it to be, delving into the inner depths of character in such an organic means for the actors to live the characters within the story. Every rehearsal I was awestruck and captivated by their approach and process of discovery the life of the play weather it was farce, comedy or drama.

I loved Spokane, a city built on a river, much like Missoula, that had once been host to a World’s Fair, when I was a kid, but had since been developed the site into a very beautiful park. The theater was near the park and I often wandered down there to have my lunch on the banks of the river, it was fall in paradise. I rented a very small apartment, which had once been part of a larger house divided into several units in an old historical district. Well about a month or two into being there I began to notice a strange odor within the space. Progressively, day-by-day, it became stronger and fouler. We all began to search our apartments to figure out the source of this terrible odor, but could not figure out the source. Finally it got so bad we called the landlord in to investigate. They began to work through each apartment systematically and eventually found that a young man who lived on the bottom floor alone had killed himself and had been there for a week. I had meet him several times and knew he was loner. I suspected he was gay, but of course was caught in my own busy schedule, and since he lived on the backside below me didn’t really get to know him. I eventually found out that he actually was gay and had been rejected by his family and had become infected with HIV and was lead to this desperate act, feeling completely isolated and alone not knowing where to turn. My heart sank deeply when I heard the news because I being a close neighbor, and also gay, had not reached out to him. I was so overwhelmed with regret and remorse that it had taken us a week to realize his isolation. I remember being so disoriented, angry, and hurt that I could barely function at the job I loved so dearly. Of course we could not move back into our apartments for several days as they tried to erase the odor that permeated the space. The next several days as I grappled with coming to terms with the event it become crystal clear in my mind that I would have to dedicate my life to helping other gay men who lived in such fear and isolation. And I began my own campaign to make people aware of HIV and break down the barriers surrounding its then seeming terror it had on others. The reality that the loss of humanity, dignity, and pride was suddenly too great to be ignored any longer. I as a gay man could no longer look the opposite direction or hide. A reality hit my world like a boisterous clap of thunder and I know my world would be irrevocable changed forever.

The Fatal Effects of a False Perception

Is there still a perception that sex with another man is a smoldering gun or have we grown beyond that?  Today is world AIDS Days and being a gay man who has lived and loved his entire adult live throughout the epidemic, it has had the greatest impact on my sexual life.  I first came out and began exploring my sexuality before anyone ever heard the words HIV or AIDS.  We thought living in a rural area like Montana we were pretty much immune from it hitting us here and that we were safe.  But looking back over the years and seeing that most of the members of the community I first grew up in, were lost somehow during the course of it’s rampage.  People began to just disappear, into a seemingly shameful, unspoken oblivion, from which they never returned, no information or details available. I remember how sex suddenly become a danger zone that no one was talking about and something everyone just tip-toed around.  Much of the community was still having sex, yet denying there was much danger in it.  Heck, even the government wasn´t acknowledging that it was a national crisis until it got completely out of control.  The Regan Administration never uttered a word for months and months even with the fact that thousands of people were dying in the major metropolitan areas like New York or San Francisco.  It was not until Clinton’s Administration in the 90’s when a young kid named Ryan White who had been infected by a blood transfusion  went to the White House and the then passed the Ryan White Act, that it became a clear message that it was not just a gay virus and awareness and prevention needed to be supported.  I remember it was a very bitter time in our community and we became consumed with remorse and resentment.

Would we have heeded the warnings earlier if we had known?  Would it have changed our behaviors?  It’s still hard to tell, we as a culture had just gained our sexual liberation.  With all the awareness today do people still heed the warnings?  I am still not sure anymore.  It almost feels like the pervasive attitude, especially since the anti-viral drugs have came out to make the virus more manageable, that it doesn’t seem to still be a threat.  It seems the rates of infection are still rising.

I became an advocate early on and spent a great part of my life involved in the political shadow of its wake.  While I was a student at the University, I produced and directed a film for the University that became a campaign across campus.  I became a member of the Governor’s Advisory team, and a member of all the regional, state and community based groups and organizations to promote its awareness and several years ago was given a Governor’s Award in recognition for the work I had given over the years.  In the beginning I became consumed by my efforts and in the end it consumed me and I was bitten by the community accusing me of conflict of interest by having my hand in too many pieces of the pie.  And eventually I was back stabbed and ridiculed by the very community I was trying to support.  For my own sanity, I had to eventually walk away to regain my life, and now use my energy to reach out to those most in need or struggling.  Throughout my life AIDS has been a painful road to wander as a gay man.  There is still a lot of fear, doubt and anxiety that surrounds it.  After all these years it still remains hidden and unmentionable, at least in Montana.  Though the leaders of the past who remember the struggle are fading, who is present to still sound the alarm?  It remains one of the areas that still divides our community and I know the organization who receives the funding to support the community as leaders and who should be the ones looked to and trusted have been the ones through gossip and the release of supposedly confidential information to hurt the community the most, especially those infected.  There is no longer a trust or respect as dignity has been compromised and a devastating shock wave has rippled through our small peaceful community, creating more internalized discrimination and fear than education and or awareness.  People are even more afraid then every to be tested and a fear we all felt in the beginning still exists, maybe even more so, 20 years later.

I am an artist and I still support my community however I can but it is all still a painful reminder that haunts the very core of my existence.

What the Heart Has Once Known…

I saw a video on Facebook that actually moved me and got me thinking about this whole concept of gay marriage.  I have been very mixed on the subject, not sure where I stand on either side of the debate.  I sense my own security in my own relationship seems to be enough to bind us.  Everyone around us on both sides of our families acknowledge and respect our relationship and know what our ultimate desires are if something happens to the other.  Being gay and growing up in Montana I had never even considered the possibility of being able to marry someone of my same sex.  Working for UPS, they have a strong policy supporting same sex partnerships, and though I only work part time in the evenings for the company they acknowledge Glenn as my partner and give him full benefits along with me.  Of course we have had to prove our relationship and actually establish we were in a partnership.  But over the years as we have attended the weddings of all our straight friends our age, joining in union, and photographing the marriage of all my nieces, and then to see my father at one of the happiest moments I have seen him in decades remarry after my mother’s death, there is a tug in my heart to unite with a man I have adored for so much of my adult life now that I can’t imagine a life without him.  We committed in our early thirty something’s to watch each other grow old and that we have done.  This video captures all the stages of our relationships, with warmth and tenderness and told the story of my own life.  It reminded me of where I have been and I must say brought a tear to my eye to see the reflection of my life and know in the end I have been loved.

My fears are now more for the future now that we grow older.  We have built a life together sharing in everything.  But fiscally we are not bound.   Glenn was a student, when we built the studio and I could not put his name on anything because at the time he was more of a liability and it would have been detrimental to secure financing.  But together we have equally shared in the dream, labor, and completion of the project.  My fear is if something happens to me where will he stand?  Our hearts may say we are together but the laws of Montana may say we are not.  Will he possibly have to pay an inheritance on something he has spent his entire life working to build?  I saw this happen over and over years ago with partners when one passed away and the families kicking the remaining one into the cold, leaving them with nothing but adding to the already great sense of loss.

We know in our hearts what we feel is right and we have chosen to love, adore, and cherish each other already, shouldn’t this somehow be enough?   Here’s to you my love.  If the question ever becomes available “I do…” with all my heart and soul you have been the courage and strength of my existence that I have been thankful for since that fateful night in May so many, many years ago.  What the heart has once known it shall never forget!!!!

Capturing an Essence of Who We Really Are?

A question has recently arisen about getting to the essence of who we are as artists.  I have recently been reading a book about a man, in love with photography from age 10, who went to a photography workshop with the photographer Minor White in the 60’s.  He was posed with the question of photographing his essence, not to photograph his personality, but to go deeper into the core of his being, to “Photograph who you really are.”  He couldn’t grasp the concept of finding himself or even recognizing himself but then has an epiphany that clearly defines his vision and changes the course of his life.  The book is called “The Zen of Creativity: Cultivating Your Artistic Life” written by John Daido Loori and it is a completely different approach to discovering who we are as creative souls.

In a sense this year of exploration has become my own epiphany and I feel more in touch with myself then ever.  I began to think about myself and examine my own creative process.  Do I really photograph who I am?  I think so.  Though I use others as my subjects the true essence of what I feel is expressed through the overall feel of my images.  Mr. Loori, a skeptic at the time, talks about going into the forest, questioning the nonsensical meaning of White’s idealism, and discovers a place where he releases that doubt and comes into touch, through a trance like state, with the subject.  The subject then  does not become the object of the image, but his feeling to the connection to the subject, becoming the vision of the image.  I began to realize this is the state I often enter when I begin to work with my naked male subjects.  All inhibitions evaporate, I have set the stage and defined the parameters, communicated to get to core of my subjects perceptions of themselves so that the moment is ripe to just touch the essence of what I feel in that moment.  The shoot then becomes a history of every experience I have ever had and how it relates to this person in this moment, to really explore who we are in this moment.  So many people comment on my images as having a quality they cannot describe or put their finger on to define.  It’s not really something that can be copied or emulated, but organically comes out of what unfolds before me.  I do not have a formula for lighting and it is not consistently the same from shoot to shoot.  It is tailored to the specific subject and the vision of how I see them when we first meet.  Yet everyone says my style is highly recognizable so there must be some consistency to it.  Even when some models posted images we had shot, to their social networking profiles without my name associated with the images, others began to recognize the images as ones I had taken.  I do remember when I first began photography questioning what makes an image recognizable to a certain artist and how I could for would define my own unique style.  I realize now after years of photographing and looking back that it just naturally evolved without me really having to work at or affect the outcome.  It is the essence of who I have become.

Most of my life has been defined by my sensual/sexual nature, seduction, being seduced and of course my love and fascination of the male figure, both clothed and exposed.  Much of my life was very sexual, but as I have grown older, the sexual allure that once motivated me seems to have vanished.  I am no longer concerned with the physical side of my sexuality but am most intrigued with the spiritual essence of what remains.  I don’t see my images as sexual at all.  I had a young photographer just out of journalism school approach me the other day wanting to intern with a studio photographer.  I sent him a link the new site and told him what I was doing.  His response was a scoff at the idea of working with nude people as means to learning studio technique as he rejected what I take for granted as natural.

The Exhaustion of Joyous Occasions

As much as I tried yesterday I could not find a half hour of time to even get on my computer.  It was Montana State vs Montana Grizzlies, Brawl Of The Wild Game at Montana State in Bozeman.  The biggest game of the season, the Grizzles being the underdog ranked #7 in the nation against the #1 FCS team.  Needless to say it was an upset and the Griz beat the Bobcats 36-10.  Since the game was in Bozeman, Glenn planned a party in the studio to watch it on television.  So my day began with a breakdown of all my lighting equipment and hauling to the basement.

I also had a later afternoon wedding I was booked to shoot.  It was an all day process of prepping and shooting that from early afternoon through the reception late last night.  I love weddings, but they a tremendous amount of work for a photographer.  The process of preparations takes several days leading up to the wedding as well as becomes all-consuming on the day of the event.  My process and approach for weddings is much the same as my process for nudes.  I like to get to know the couple so we all become comfortable with each other and I just become a part of the wedding party.  I love candidly shooting all day as events unfold.  I approach it as an insider documentary style and get great results because most of it becomes very candid and allows everyone to just naturally become who they are as if I am not even present.  I completely engage and interact as a participant instead of as a casual observer hired in from the outside.  I then put the entire wedding together as a series of slideshows put to music that becomes the couple’s remembrance of the day.  Most often when they come back to the studio to see the final presentation both the bride and groom are so deeply moved by the presentation, they become weepy.  I have so intimately entered their world and captured the essence of who they actually are and often capture things they were completely unaware of happing around them.

My approach to the wedding as well as all photography is to first assess the natural light and merely enhance what it already there.  And yes this becomes quite a challenge with weddings because you are constantly bouncing around from space to space throughout the day.  The bride’s chamber, the groom’s chamber, hair salons, the church, the altar, and the reception hall.  I typically will go to all the locations days ahead and test shoot so I know specifically what I am dealing with.  This is one process that doesn’t get easier with each wedding because each one is in a different location or space and each wedding is uniquely its own.  There is absolutely no formula to follow.  Yes the sequence of events are the same, and I know better what to look for, but they are never consistent.  I love weddings for this reason.  It’s like highly emotional theatrical events that unfold before your eyes that you become caught up in.  Some one said to me last night, you have one of the best jobs in the world getting to shoot people at their greatest moments of joy.  I paused and thought about it for a moment and replied, absolutely it is one of the pleasures of my life.

But by the end of the day, I am utterly exhausted.  I feel like I have poured my entire soul into the day.  I often don’t realize the soreness until I collapse on the sofa at home, then it settles in and I can barely move.  They have always exhausted me, even when I was younger.  I realize I had been working for 8 hours solid with very little breaks, yet I feel elated because the images I saw though out the day were so beautiful.  This was my last big event I must shoot of the year and know I can now begin to focus on my naked men.  But today is a day of recovery, very little of anything else.  I am scheduling a massage for the afternoon and nothing else.  I will sit with the kitties in the widow and watch it snow outside.