Category Archives: Sex

sex

What the Heart Has Once Known…

I saw a video on Facebook that actually moved me and got me thinking about this whole concept of gay marriage.  I have been very mixed on the subject, not sure where I stand on either side of the debate.  I sense my own security in my own relationship seems to be enough to bind us.  Everyone around us on both sides of our families acknowledge and respect our relationship and know what our ultimate desires are if something happens to the other.  Being gay and growing up in Montana I had never even considered the possibility of being able to marry someone of my same sex.  Working for UPS, they have a strong policy supporting same sex partnerships, and though I only work part time in the evenings for the company they acknowledge Glenn as my partner and give him full benefits along with me.  Of course we have had to prove our relationship and actually establish we were in a partnership.  But over the years as we have attended the weddings of all our straight friends our age, joining in union, and photographing the marriage of all my nieces, and then to see my father at one of the happiest moments I have seen him in decades remarry after my mother’s death, there is a tug in my heart to unite with a man I have adored for so much of my adult life now that I can’t imagine a life without him.  We committed in our early thirty something’s to watch each other grow old and that we have done.  This video captures all the stages of our relationships, with warmth and tenderness and told the story of my own life.  It reminded me of where I have been and I must say brought a tear to my eye to see the reflection of my life and know in the end I have been loved.

My fears are now more for the future now that we grow older.  We have built a life together sharing in everything.  But fiscally we are not bound.   Glenn was a student, when we built the studio and I could not put his name on anything because at the time he was more of a liability and it would have been detrimental to secure financing.  But together we have equally shared in the dream, labor, and completion of the project.  My fear is if something happens to me where will he stand?  Our hearts may say we are together but the laws of Montana may say we are not.  Will he possibly have to pay an inheritance on something he has spent his entire life working to build?  I saw this happen over and over years ago with partners when one passed away and the families kicking the remaining one into the cold, leaving them with nothing but adding to the already great sense of loss.

We know in our hearts what we feel is right and we have chosen to love, adore, and cherish each other already, shouldn’t this somehow be enough?   Here’s to you my love.  If the question ever becomes available “I do…” with all my heart and soul you have been the courage and strength of my existence that I have been thankful for since that fateful night in May so many, many years ago.  What the heart has once known it shall never forget!!!!

Porn: as a Mirror of Ourselves

I recently bought a book called “Porn: from Andy Warhol to X-Tube” edited by Kevin Clarke which is a visual guide following the history of gay porn both in publication and multi-media formats and it’s evolution.  It’s actually quite a wonderful book that is put together quite nicely with lots of images of porn stars, cover art, advertising, quotes, and fascinating well written articles by people in the business.  It begins with an opening quote by IC Adams from the Gay Porn Times “Porn is an interesting reflection of what goes on in our culture”.  The book is then divided into four sections “Porn as Pop Art”, “The Golden Age of Promiscuity”, “Boom Years: Porn as Safe Sex”, and finally ending with “Grab Your Dick and Double Click”.  Reading and reviewing this history I see how sexual and sensual pornography was at one time.  I think it’s what drew me to do the work I am currently doing from the beginning.  It was about defying normal and celebration of our freedom as a culture.  This book reminds me of all the things I found sensual in my youth and how the leaders of porn industry really seem to have a soul at one point.  I have only read the first half of the book when it was in its golden age, where any and everything seemed possible. It was more of a mind set and truly was a reflection of our humanity and growth as a culture.  It just seems recently in the past decade or so, I am thinking possibly with the advent of video and over saturation of product and its evolution as a cash cow has lead to its fall.  It seems to me this is the point I remember it becoming so homogenized, where suddenly everyone was looking the same, doing the same, becoming the same.  It became a cookie cutter formula that was bankable.  This is the point where I seem to have lost interest and it failed to arouse any kind of reaction within me.  What made the early porn so fascinating was that it was literally a cinema verite in which the subjects where actually engaging in the actual act of sex, where as now the emphasis has been put on them as performers who are acting, and showing us what they think we want to see, which doesn’t engage us at all.  I mean the act of sex is about the connection, bonding and intimate sharing of one’s self physically with another person.  We learn from the art we are exposed to and if all we see or experience become superficial, performing instead of engaging, the imitation of life from that art begins to lack its genuine connection to the actual humans with which we are engaging.  It is this lack of connection from which my own personal quest for art grows.  I still love the idealism of old fashioned romance, of gazing in to my partner’s eyes and seeing his desire for being with me.  To watch a man undress, to reveal himself, the see their vulnerability exposed, trusting someone with your intimacy, and that intimacy becoming a sacred gift.  The emerging and mingling from and within the darkness where desire and intimacy bind us.

When Did Porn Become So Homogenized?

Last night a group of us where sitting around the bar at the studio looking at some old vintage porn magazines and remarking at how erotic and sexually enticing this type of imagery used to be. What I mean by vintage is 80’s magazines like Men and Playgirl and the likes of that. In these images the guys are not your perfect well-defined bodies like what we see today, but where average guys seem to have a presence and actually looked like they were completely enjoying exposing themselves which I think added a level of accessibility to indulge the fantasy. These were guys you could possibly pick up on the streets or could even have been your neighbor next door, for a place like Montana. I once had a friend who worked in the business say there are three major things that qualify you for porn, one is good looks and a connection with the eyes, second was a good body that we would want to hold next to us, and the third was having a big dick which would satisfy the sexual portion of the illusion. He would say a person would need two out of these three qualities to make it in the industry and the combination could go either way. In modern porn it feels like we are often verging on actually containing just one of elements whereas in the vintage 80’s porn every single model seem to possess all three, page after page, after page, after page… The photography was sensational, most featured models would begin with a page with them dressed and somehow placed in their everyday environment. On a horse, in their back yard, a construction site, an actual garage. Great detail was placed on making these subjects normal and the photographers of this era paid great attention to the detail of the light and environment. Many of the images were actually quite a bit sexier with their cloths on than without them on. It was fantastic, the more I looked the more I began to realize that it was actually this type of photography that drew me into photographing these sorts of images from the beginning. There was a time when the great male photographers like Bruce Weber and Steven Underhill brought there level of expertise to this media rising porn to a artistic level and the photographers became an important part of the illusion. To hell with art, I just wanted to indulge my desire and live the fantasy of my dream centerfold for May, and there where enough in each magazine that I could have one for each week until the next publication came out. So what has happened with this beautiful world of tantalizing and teasing of most carnal need? It seemed to begin disappearing long before the Internet become popular. Was there just an over explosion in the industry and a shortage of models and extraordinary photographers? Did the industry decided to cut cost in order to produce quantity? How is it that the thing that becomes so enduring to all of us becomes so depersonalized without any sort of interest to wrangle us with its seductive enticing power? This is the industry that makes more than probably any other industry in the world, so as the price escalates on what we pay for why doesn’t the quality escalate? Wouldn’t they have more money to spend on upgrading the quality? Perhaps I am just a romantic at heart, I do like my sex dirty, but I still what to believe in the world of erotic fantasy. The Internet is paved with lots of dick; perhaps after a while it all begins to look the same but I still want to dream and live in a world where people are human, where I can shake their hand and have a conversation, and be pulled in by their mystical seduction.

Lack of Intimacy In A Creative World

Sorry no blog yesterday, every time I sat down to do it I would get distracted by something else. It was one of those extraordinary fall days outside that was sunny and unusually warm for this time of the year. I had my nephew Brenden come over and help me clean the property and prep it for the winter. I somehow thought I would be able to put him to work and I would get to write and work on my computer. But he is not very experienced and I began to realize the work of pruning and cleaning the beds was only specific to me. It was so beautiful out that I just decided to stay and get everything caught up. Then we had Glenn’s mother for dinner in the afternoon, because I had a wedding consult at 5:00, to shoot a wedding next month, and had to attend the dress rehearsal for a University production at 7:00, for a shoot on Wednesday night. When I got home it seems a bit late to blog so I settled in with Glenn. This seems to be the extent of all of my days.

The production I saw the rehearsal for was called Grace And The Art Of Climbing and seemed to focus on a woman dealing with intimacy issues. It really got me thinking about my own life and I began to question if perhaps I too have intimacy issues of my own. I began to think about relationships in my past and how perhaps I have pushed so many people away. When I began to ask Glenn about his perceptions of me and how I function within our relationship? He genuinely said he was happy and realized I had lots to accomplish. Most of the time I feel so focused that I know I am not really present to him and our relationship, and often times it feels like I notice him in the distance watching me. From my past experiences it seems the points of my life where I have been highly creative are the points where the relationship begins to falter. I cannot equally focus my attention in both directions at the same time. That’s why in the fall when Glenn goes off for two months to work somewhere else I try to focus on huge creative projects and seem to get the most productive work accomplished. I think artists in general are people who suffer from relationships more then anyone else because we have to disconnect and rechannel our passion toward what we create. Life in art is not easy and I think this is why many artists are single and probably drink and or use drugs. When we are creative our intimacy is our art. I am lucky, Glenn recognizes this and allows me that creative flexibility with little demand in return, in fact supports, it by taking care of the everyday things that distract me from the creative process.

I am reminded of an incident when I first met Glenn and I was asked to work as an associate director for a large film festival we used to have here in Missoula. I was responsible for logistically pulling the entire festival together. I worked with a woman named Cinda Holt who had help Robert Redford organize the Sundance festival in it’s early stages and we created a similar festival here in Missoula for and with artisans behind the camera: art directors, cinematographer, writers, directors. We screened films for a week and brought in all the filmmakers including Kenneth Turan from the LA Times to facilitate the event. For this project I had to book the films, that spaces, contact all the people and logistically get them to and from Montana, arrange accommodations and coordinate the mass army of volunteers to make the project happen. For several weeks it was all consuming for 24/7 to pull the project off. The project was a huge success, but it about destroyed my relationship with Glenn at the time. He was so angry that he refused to attend any of the events I had just spent every ounce of my being orchestrating. This hurt me so deeply that my own partner would not stand beside me at a moment of my greatest achievement. I now recognize it was a defining moment in the relationship where I disconnected, perhaps we both disconnected. Our relationship has since grown. Now Glenn is my creative partner in all my wacky self-absorbed endeavors. My projects and creative life has since grown and some how we have all adapted. My days do not get any easier and my need or sense of accomplishment never seems to cease. I don’t promise it will get any easier, because I know that would be a lie all I can recommend it that you “fasten your seat belts because you are in for a bumpy ride” as Bette Davis says in All About Eve.

Our Perceived Remembrance of Things Past

Glenn and Forest didn’t arrive back in Missoula until about 11:00 last night. It was so good to have him home again. It’s amazing the things we for get about each other after such an absence. I think in may ways we always think of the people we love by the way we remember meeting them, thinner, younger, so filled with passion and energy. We remember that look in their eye and the way they first look at us those first couple of weeks when we fall in love. Perhaps this is just life in general. A remembrance of our mothers, fathers, brothers, and other people who become important in our lives. I think sometimes we don’t really see the people who what they actually are and just project the impression we want to believe or remember about them. My mother passed away about 6 years ago from a prolonged illness of self-abuse and smoking. She died fairly young, and when she passed she looked like a very old woman, most people would have guessed twenty years beyond her actual age. I ran across a file of images of her in those later years and I barely recognized her. It’s not what I remember. I feel fortunate because my mother was wonderful in my youth and gave us so much love, and yes often to the point of suffocation as a teen. I always thought my mother looked so much like Ingrid Bergman, with such a lovely warm personality and my father like a very young Charles Heston. So we are the offspring that what those two’s love children would have looked like if they had gotten together. I digress. Needless to say I had a strange night and tossing and turning getting used to new stranger in my bed. He was so tired he fell asleep instantly and snoring commenced, I don’t ever really remember snoring before. But this morning was bliss as I had the warmth of his soft body snuggled against me and all those old feelings came flooding back and I realized this was really what I missed the most. His smile as he looked over at me and said “Good Morning Sunshine” as he has done for the past fourteen years and I knew he was finally home. Today’s image is of Glenn, I searched all day to use for yesterday and finally found it this morning.

I love this quote from the opening of Tennessee Williams play The Glass Menagerie:
“The scene is memory and therefore nonrealistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart. The interior is therefore rather dim and poetic”

I guess you could say most of my imagery is therefore rather dim and poetic for I know it is seated predominantly in my heart.