Last night was utter bliss. I am back to shooting again. It is the first time I have shot since I returned from Europe and it is some of the best stuff I have done to date. An old friend, John, who was one of the original people I began photographing 2 years ago, after I had finished the studio was the subject. It was kind of the turning point for me when I was getting serious about shooting nudes of men. In fact he is the first person I coaxed off Manhunt to come and work with me. We have done several shoots over the years. He disappeared for a long time going on a very long walkabout across the lower western USA for about half a year, so I had not seen him in a while. We just instantly began working and I felt a connection to the process that I have only seen in the works of others. While I was in Berlin I had met a photographer Dragan Simicevic who left quite an impression on me. His approach and style was so simplistic yet contained such magnetism: he only chooses a couple of images from each shoot. I began to feel that deeper connection to John last night and everything we shot was golden. I did not feel my regular compulsion to over shoot, but had felt satisfied with a minimal amount of shots. This is the way I used to shoot when I was working in film, mostly because of the expense and time it took to develop so much film. Last night the focus was stronger and John was right on with feeding me exactly what I needed. He has such a natural presence that he is just fun to watch even when we are not shooting. It turns out he is homeless, so I have offered him the loft above the studio where is can crash for a short while until he can get back up on his feet and he is willing to work around the inconvenience of my shooting schedules.

The new intern, Steven, and I spent the afternoon earlier in the day completely cleaning the studio out and set up the staging and lighting for last night’s shoot. I have worked with assistants in the past on my regular photography but not on this private type of stuff. It is awesome the intensity that he bring to the process, it was awesome to have someone who understood and was as excited as I was to make it happen. Once everything was set up, I used Steven as my subject to begin a series of test to really hone our lighting concept. As we looked at those photos I see what a remarkable subject he will also make and will now work on a shoot of him as part of his learning process. This really allowed me to focus the shooting process for John and allowed for us to jump in so easily because everything had already been set and tested.

The third piece of what made yesterday so remarkable was that the website template finally got loaded and I was able to work on the website last night, loading stuff into it. It is more remarkable then I envisioned. It is fast it is easy and we are going to have a blast putting it together in the upcoming weeks. I am going to target the end of the month to open it on the web. That gives us 16 days to pull it all together.

I also sent a message to John Douglas in Australia to see if we can somehow revive the old Man Art site. I think it’s the same system I am using for my current site and Julian my web guy could totally make it happen.